In response to this absence, I have attempted to create images that could stand in for those that were lost. The solarisation demonstrates the inaccessibility of this past: by halting the development process and re-exposing the image to light, the effect conveys a sense of disruption and incompletion. This mirrors the way my family’s lives were violently interrupted by the Nazis, preventing their stories from being transmitted through generations.
Ultimately, Along the Narew River seeks to highlight the long-term impacts of genocide, using solarised landscapes to evoke an elusive and fragmented family history.